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Is Cuckolding Enhanced by Porn

Did interest in cuckolding increase due to the popularity of the internet? Is cuckolding enhanced by porn? These are questions I field very frequently. My answers are yes, I think the popularity of cuckolding increased due to the availability of porno online. And yes, cuckolding is both propelled and enhanced by porn. Cuckolds can play out their cuckolding fantasies using porn as stimulation. The pornography does not even need to focus on the cuckold niche. Any porn will do. You may wonder how? Part of the typical cucky’s fantasy is to see his wife or girlfriend engage with a more virile male, black or white, race doesn’t necessarily matter. For a cuck, watching any adult videos can serve as fantasy material. The porn star becomes his wife or girlfriend and there she is, experiencing hot sex right in front of him with a well hung stud. He feels humiliated, watching, masturbating and knowing that he is being ignored in favor of the more dominant sexual male.

There is one porn niche which has directly contributed to cuckolding and that is sado, because it appeals to submissive males who put themselves in the role of the sub, the pain slut, the helpless bondage bitch. This niche can make a subby feel more emasculated and in essence, cuckolded.

cuckold porn

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Cuckolding Horns

Most cuckolding aficionados who are familiar with cuckoldry and its history are aware of the cuckold horns hand sign. Let’s explore how the hand sign originated. There are various theories about how the two finger sign came to symbolize cuckolding. And how it also signified humiliation. Some historians feel the sign originated as a symbol of ironic mockery. Horns represented masculinity and virility which a cuckold lacked. Even the essence of horns held magical power in times past. Older or impotent men were frequently prescribed a powder of ground buck horns to treat libido issues in the Middle Ages. Hunters noted that various beasts used their horns to rub bark off trees to mark territory. Males who had no horns could not mark or claim their territory including their wives. Another theory purported the sign of the horns signified that the weaker male didn’t know that the beast with horns had crept up behind him and stolen his wife.  Even today in select European countries, throwing the horns behind a man’s head is a sign of humiliation or cuckoldry.

Cuckolding Hand Sign

What is also interesting about cuckolding history in Europe, the British Isles and Scandinavia, is that the wife who strayed on her husband to have sex with another man, thereby committing infidelity, was not punished. In other cultures, the punishment for infidelity might have been extremely severe, including the sentence of death to the cheating wife. Instead, the reality or rumor that a wife strayed from her husband was cause to believe her husband was impotent, unmanly, weak, sterile or a combination thereof. And the man who slept with her was perceived as virile and powerful. Cuckolding structured a male hierarchy. This biological imperative and social practice allowed women to pursue sex with Alpha males. Sex outside the marriage with a superior male served the perpetuation of humanity at a time when life was fragile due to wars, famine and disease. A woman seeking out an Alpha male for sex and ultimately to mate and bear offspring, was ensuring that the most superior Alpha genes continued.

Cuckold Art

cuckold art

In this classic painting dated 1664 by Dutch master and contemporary of Rembrandt, Jan Steen, titled “Celebrating the Birth”, we see cuckolding en tableau. This scene is visually rich with cuckolding imagery. Note the grinning man miming the cuckold sign of the horns above the baby’s head. Interestingly, art historians determined the cuckold hand sign had been painted over during the 19th century. This defacement was likely ordered by a collector or curator who took offense to the cuckolding horns and viewed them as profanity. The painting was restored to its original status only thirty years ago.

The man illustrating the cuckold humiliation is believed to be the artist himself who inserted his likeness into the painting to add contrasting emphasis to the cuckold, an older man holding the newborn baby. Art scholars believe the baby to be a son. A celebration would traditionally be held to herald a male heir. However, this is obviously not the older man’s child, but the child of the man portrayed by the painter. Symbolic elements in the painting reveal more metaphor. The brass bed warmer conspicuous in the forefront of the painting, signified that coals in the bed warmer were keeping the bed warmed. It denotes a lack of marital sex. The older husband had lost his libido. The wife is not so much a powerful cuckoldress as a resourceful woman with no other options but to engage in sex with another man, driven to do so by her husband’s impotency in order to produce heirs or offspring.

The older man is holding quite a large purse which indicates some level of wealth. This wealth has enabled him to attract the younger bride and to provide for her. But the painter has added a few other elements which mock the supposed father. Namely that he is wearing an apron and holding a set of keys. Key holding in that time was the duty of the woman of the house, sometimes referred to as the chatelaine in larger households. Wearing an apron is a humiliating emasculation. Other symbolism includes the eggshells on the floor, eggs which had been cracked and used as ingredients to prepare a celebratory feast. The term cracking eggs was an expression for having sex in 17th century Europe. Obviously, the girl grabbing the phallic looking limp sausage hanging above the fireplace illustrates strong sexual innuendo. Note her gaze is deliberately directed outward to those viewing the painting instead of interacting with the family, midwife or other cooks. She wants us to be aware of the sexual farce unfolding before us.

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